RSS    SEARCH

================================================================================

at the end of the world

================================================================================

( There is no creativity in the future. Nothing new is being produced.
This issue is a plea, a lifeline, a shout, a scream. Imagine. Create.
Bleed.

This issue is the spark in the darkness, in the void, out of nowhere, out
of nothing, that might...that just might lead to the next Big Bang. )

================================================================================

12/13/2011 12:39:01

The Bleed is out there

If you’re out there and you are reading this try to find a copy of The Bleed now. The pages inside are everything I have managed to recover and save from the time before The End. I have left them in all the places I have visted, all the ruined cities of my empty kingdom, but numbers are limited. Seek them out now. If you can’t find a copy please keep checking here whenever the power comes on. I’ll update this site when I can…

One day the power will go out forever, but The Bleed will never end.

--------------------------------------------------------------------------------

12/13/2011 12:38:56

Drinking Bleach Instead

 

*This text, found amongst the wreckage of a cafe bar near Piccadilly Gardens, Manchester, (rusted signage read: Fab Cafe), is believed to be early work by the novelist PM Buchan*

Sixteen years old and off my face on ecstasy, I down another pint at the bar effortlessly and win my eighteenth race in a row.  A man twice my age curses me as he hands over a £20 note and my friends cheer in approval.  Lighting a Lucky Strike, and catching the eye of a girl that I’ll wake up naked with tomorrow, this the best night of my life.  Everything is perfect and exactly as I remember it until the phone rings and nine years pass me by in a heartbeat.

            “Seriously Vincent, what does it take to wake you up?”

            “Come on,” I moan. “I was at work till 5am, give me a break.”

“You need to collect Rose from school,” Jessicka says. “The headteacher says there’s been an incident.”

            “An incident?  What the hell does that mean?”

“Somebody bit Rose on the arm.  She’s alright, but she needs you.  Go now.”

Only six and she has to put up with this kind of crap at school?  We need to get out of this godforsaken city, Rose and Harry deserve better than this.  All my life, I dreamed about escaping from Newcastle, but that idea fell apart when Jessicka became pregnant.  Nothing less could have kept me here.

            “Daddy!”  Rose has a bandage around her left arm but seems otherwise unharmed when I enter the headteacher’s office.

            “Don’t worry sweetness, I’m here to take you home.  Are you alright?”

“I was playing tag with Sally outside, but when she caught me she bit me on the arm and then the teachers had to hold her down, but she started shaking and they took her away to hospital and I got a lolly.”

“I’m terribly sorry,” says the headmistress. “We don’t know what came over Sally, but I’m sure she didn’t intend to her your daughter.  We hope to know more after she’s received treatment, but the RVI is inundated with people that have fallen victim to this new flu. I understand the World Health Organisation have now officially declared the outbreak as a global pandemic, so under the circumstances I’d strongly advise Rose rests at home until she feels 100%.”

I’m mentally comparing shifts with Jessicka as we leave.  I’ll have to work nights and take care of Rose during the day. There’s no way we can afford for Jess to be at home.  She would have given anything to be a stay at home mother.  Well, anything but take the pill and exercise something resembling control over when to start having children.

            Harry’s classroom is empty as we pass.  Today is his day for PE so he’s probably in the hall dancing around in a vest and plimsolls.  Harry’s only seven; his sympathy for Rose might extend to a brief hug when he hears that she’s been bitten but that will quickly vanish when he discovers that she doesn’t have to go to school tomorrow.  Rose climbs into the backseat of our car and asks if she can have a present for being so brave.  We can’t afford to keep up the rent payments this year but I don’t suppose another DVD will make a difference.

            Rose’s temperature has gone through the roof by the time her mother gets home and I’m so happy to see Jess that I could cry.  I never meant to spend my life with her, but we’ve been together for seven years now and I couldn’t imagine a world without her.

            “I’m so glad that you’re home.  Ibuprofen took the edge off her temperature for an hour, but even with all the windows open it’s creeping up again and I don’t know what to do.”

            “We need to take Rose to a hospital,” Jess tells me.

            “They won’t take us love, I called them already.  This corvine flu has spread so quickly the hospitals have been quarantined until further notice. They won’t even take emergency patients.”

            Jessicka swears and glances in the sitting room.  Harry is watching Mad Monster Party again and absent-mindedly reaching into an empty bowl to see if he has any raisins left.  He doesn’t realise how serious Rose’s condition is and I’d like to keep it that way.

            “They’re rioting in London again,” Jess says, “it’s popping up all over the city.  Everybody is so frightened. They think that the government isn’t doing enough to counter the outbreak.”

            “Well they’re right, aren’t they?  That Botox-faced idiot doesn’t care about anything that his friends can’t profit from.”

            “Vaccines take time Vincent.  I don’t like the Tories any more than you do, but they’ve got just as much to lose as us.  What are we going to do?”

            Seconds tick by like days and Rose’s temperature soars.  I place a straw between her cracked lips, but she doesn’t seem to have the strength to drink.  Her chestnut eyes are watery and weak, pus collecting in her eyelashes every time she blinks.  Jessicka has gone into our bedroom to go online and see what she can find out about the flu.  It isn’t right that a little girl should suffer like this from just a bite.  My life would be nothing without Harry and Rose.  I was going to travel the world, but when we found out that Jessicka was expecting I gave up on that and made a commitment to become somebody that they could rely on.  I love those kids so much.

            “It’s no use,” Jessicka shouts.  “The internet connection is down, I can’t get anything on the computer or my mobile.  Damned Tories, it wasn’t enough for them to restrict social networking, I think they’ve shut down the net to stop the riots from spreading.”

            Jessicka sits with Rose while I get Harry ready for bed.  He wants to know if his sister is going to be alright so I lie and say that she’ll be fine.  I can’t bear for Harry to worry, he’s more than just my son, Harry is my everything. In bed I read Winnie the Pooh out loud until Harry falls asleep, blonde hair already plastered to his clammy forehead in the heat of the night.  Rolling back his duvet and tucking a stuffed hippo into his arms I rejoin the girls.  Jess is down on her knees by the bed, eyes closed in silent prayer.  Rose is wearing only a pair of flower-fairy knickers, her skin soaked with perspiration and closed eyelids flickering.  We’ve given her all the paracetamol and ibuprofen in the flat but nothing is helping.  I creep out the room and go to check what’s happening on the news.

            Fires blaze in the streets and mobs of people throng against walls of armed police.  The riots must already be spreading because those aren’t the streets of London on the screen, that’s Piccadilly Gardens in Manchester.  I try to listen to the newsreader but she says nothing of consequence, revealing as little as possible about the protestors taking to the streets.  Moving on from the protests the camera shows a quarantined hospital struggling to cope with the pandemic, military figures fighting off crowds of injured people with nowhere to go.  Every image shows the gnashing of teeth, scared and angry people with nothing to lose.

            “Vincent, come quick.”  I run to Rose’s bedroom, a sickening rainbow of emotions trickling down my throat.  Rose’s breath rasps harshly through lungs clogged with mucous.  I take her burning hand and sing to her like I did when she was a baby.  Jess takes the other hand and joins in, tears spilling down her cheeks, but Rose never regains consciousness.  The sun sets and our only daughter stops breathing and slips away from us.  I want to go to Jessicka, to hold her in my arms, but I can’t breathe and no matter how hard I try not to think it I’m just so grateful it wasn’t Harry.

            Jess falls forward onto Rose’s bed with a keening wail and words fail me so I creep out of the room and watch Harry sleep.  Our daughter is gone, but as long as we have Harry there is still hope.  There has to be hope.  I pull Harry’s bedroom door closed and shuffle back into the sitting room.  Something has changed on the screen, the rioting crowds are more savage than before, blood pooling in the streets as soldiers beat back the rioters mercilessly.  The military still have the hospitals cordoned off but their weapons are trained on the doors now as if to stop people from leaving.  How can I care about this puppet theatre when tomorrow I’ll bury my little girl?  What will I tell Harry?  The newsreader’s voice circles my thoughts, gnawing at the edges.  Something about the virus mutating. The virus that stole my baby away from me.  What if Harry is at risk?  The newsreader says it has mutated into something unforeseen, capable of laying dormant within any one of us and living on within its hosts beyond their natural death.  What does that mean?  She says that the infected should be dispatched by any means necessary.  A stranger on the television tells me that the United Kingdom must show bulldog spirit if we hope to stop this contagion, while ragged corpses throw themselves at riot police in waves of teeth and claws.

            “Vincent!”  Jessicka’s voice calls me to Rose’s room.  Jess is beaming with relief, snot and tears smeared across a face that’s immeasurably happy.  Rose is sitting up groggily in the bed, eyes showing nothing but white, flies crawling across her cheeks.  My perfect little dead girl is sitting up in bed, a voice in my ear whispering that the infected must be dispatched by any means necessary…

 

Part Two

 

“Vincent!”  Jessicka’s voice calls me to Rose’s room.  Jess is beaming with relief, snot and tears smeared across a face that’s immeasurably happy.  Rose is sitting up groggily in the bed, eyes showing nothing but white, flies crawling across her cheeks.  My perfect little dead girl is sitting up in bed, a voice in my ear whispering that the infected must be dispatched by any means necessary.

“She’s ok honey, she woke up, our little miracle.”  The light in Jessicka’s eyes is unmistakable and I would give almost anything to preserve that happiness but our daughter is dead.  Our daughter is irrefutably, undeniably dead and the newsreader said that the virus would live on within the host beyond their natural death.  That thing sitting up in bed is not my Rose but soon we’ll all be joining her if I don’t act.

            “That’s incredible,” I say, “Why don’t you get her a cold drink while I check her over?  She must be thirsty.”  This feels like a reasonable request to make.  Jessicka wipes snot from her face and leaps up manically.  As Jess leaves Rose lumbers to her feet and stares at me with sallow eyes and pupils rolled into the back of her head.  The room is beginning to smell of spoiled meat.  When she was a baby Rose slept in the crook of my arm at night.  A hot gush of piss splashes on the rug beneath her feet as she bares her milk-teeth and lunges towards me.  I almost allow her to rip my throat out, but then I think of Harry and pick up Rose’s bedside lamp and use it stave in her forehead.  Delicate fingers claw at my throat and she thrashes like an animal as I throw her to the floor.  She snarls as I plant a foot on her throat and press down until her vertebrae grind and crack.  Slight arms slap violently against the bed-frame and I pull out a drawer full of vests and use it to smash her skull until all that remains are unrecognisable chunks of flesh and bone.  Her twitching stops and the sound of glass shattering echoes from the kitchen.

            “Vincent!” Jess screams but she isn’t here yet.  I can’t let her see what I’ve done.  Running from the room I throw the door shut as Jess arrives, her face contorted in fury.

            “Let me see Rose!” she shrieks, flailing to reach the door handle.

            “She’s gone love.”

            “What did you to her you monster?  What have you done to my girl?!?”

            “She never woke up Jess, that wasn’t her.”  Jessicka deserves better than this but my hands are coated with gore from our youngest child and I don’t seem to have a voice, so I ignore her screams and drag her to the television, where the dead are walking the streets and soldiers burn mounds of convulsing corpses with flamethrowers.  Jess tries to blame me for everything, alternating between roars of rage and misery, but eventually she stops fighting and just curls up into a ball of pain.  I’d like to join her there but Harry walks into the room rubbing his eyes and asks me what’s wrong.

            Floor.  I’m on the kitchen floor, a pool of saliva gathering around my mouth and cheek.  Vomit builds in my throat but I swallow it down and open my eyes.  Vodka.  How much did I drink?  Cheap shit, like paint stripper, permeating my every pore like formaldehyde.  I’m never buying from that off license again.  I don’t even remember what…no, I do remember.  I remember everything.  Rose is dead.  I bashed her brains in then Harry cried himself to sleep and Jessicka wouldn’t speak to me so I drank until I passed out.  I stumble to the window to gauge what time of day it is but the sky is thick with smoke.  Even with the windows shut the air smells the same as it did during the foot and mouth crisis when farmers were burning their cattle in mass graves.  Cars are abandoned in the street, people milling up and down Westgate Road aimlessly, limbs jutting out at awkward angles.

            Harry and Jessicka need me.  I can’t believe that I let them down like this, I gave up on all of my dreams when Harry was born so that I would be there for him.  How could I have fallen back onto my old ways so easily?

            The sitting room is empty.  Everybody must still be asleep so I creep to Harry’s room.  His bed is empty, clean clothes laid out on his dresser.  He must be with Jessicka.  He slept in our bed every night until he was four years old.  People said that we were crazy, but I knew that one day he’d be too old to share a bed with us, so what was the harm?  Silently I open my bedroom door.  Closed curtains block out most of the light but I can make out Jessicka’s silhouette, not in bed but sitting in a chair, holding something.  The bed is empty and something is wrong.  My eyes adjust and I can see Jessicka more clearly now, holding Harry in her arms.  Our son isn’t moving.

            “Jess?”  I should turn on the light but I’m too afraid.  Harry’s head lolls backwards.  Jessicka is clutching something long and thin, like a knitting needle.

            “It’s better this way.  If something happened to us he could never have taken care of himself.”  Tears start rolling down my cheeks and I know that they will never stop.

            “What were you thinking?  I would have taken care of you both.  He was all we had left.”

            “You don’t have to lie to me anymore,” Jess says, her voice breaking up.  “You were going to leave me, remember?  The week that we found out I was pregnant.  You wanted to see the world.  I’ll always be grateful that you stood by us, but that’s over now, we’ll never hold you back again.”

            Harry looks so peaceful that he could be sleeping.  A trickle of something black drips from his ear.  Nothing in this world has ever been as important to me as that boy.  Once when we were feeding the ducks he kicked a goose that was hissing at him and it bit him on the hand.  He cried so much that I didn’t know how we would ever explain it to Jessicka.  We do everything together.

            “You’ve got it all wrong.  It took me time to adjust, you’re right, but you three were everything to me, you were my world.”  I choke up.

            “I’m sorry that I could only ever be second best to you Vincent, but part of me hates you for lying to me even now.  You tried so hard to give me the things that I deserved, but you know what I deserved?  I deserved for you to love me as much as I loved you.  I don’t know why I loved you so much.  I wish that I hadn’t.”

            She stands and passes Harry to me, heavier than I thought possible, blue lips sighing as I squeeze the air from his tiny body.  I cradle my perfect dead son and Jess turns her back on us and runs towards the window, launching herself between the curtains and out through the glass, three storeys above the street.  Her scream cuts off with a thunk.  With Harry safely in my arms I walk to the window and peer out of the broken glass.  Jess is lying on the stone steps leading up to our door, limbs twisted and torn by jutting bone.  As she stands dark fluids gush from her abdomen, then she walks towards our front door and begins banging her mangled hands on the glass.

            I do what I can to maintain some semblance of routine for Harry, bathing him tenderly and dressing him in freshly ironed pyjamas before putting him to bed and closing his eyelids with a kiss.  Somebody on the street outside yells for help but their pleas are soon punctuated by a scream.  My children are dead and my wife died convinced that I stayed with her out of duty, not love.  I’ll never be able to convince her otherwise and I don’t even know if she was wrong.

            No reason now not to indulge myself.  At the kitchen table I fill a pint glass of ice with all the vodka that we have left.  No reason to wake up tomorrow morning.  Wondering how Harry and Rose might have looked when they grew up I drink my life away, one swallow at a time.  When the glass is empty it occurs to me this probably won’t be enough to finish me off.  There are no spirits left so I open the cupboard under the kitchen sink and take out a bottle of bleach.  My eyes water as I fill the glass and wonder what sort of a god would allow something like this to happen.  Then I tip the glass to my numb lips and go to meet him.

 

END

--------------------------------------------------------------------------------

12/13/2011 12:38:52

Interview: Francophilippe

*Pages from NU magazine, featuring an interview with French electro artist Francophillipe by his sister, the writer and lawyer Katie Hindle. Found in a ruined building, believed to have been a bar in an area formerly known as High Bridge, Newcastle.*
  
Katie Hindle discusses creative life and process with her brother French electro artist, Francophilippe.    
                                                           
Francophilippe (or Alex as I prefer to call him) has always been a musician, has written music and played in bands over the years before he began to make electronic music, his sound inspired by the French house and electro scene. His output is prolific, this year he released his first single with Vecro City (US) and a debut EP (Fonkophile) is scheduled with Champagne Records (ITA) for December release. He has two more releases scheduled for the new year through Yeah/Dish! (FRA) and Triptik (UK) as well as numerous remixes for a variety of local and international artists. His work has also been used on promotional videos for ArtReach Toronto and Penrose Alternative Fashion Week as well as others forthcoming.  He is constantly creating music and what is in the public sphere is a fraction of what he has produced over the years.
 
I have my own creative aspirations but seem to have much less time than I would like to indulge them. I also know many people like myself who dream about having more time to ‘be creative’ but have built lives, consciously or unconsciously that leave very little room for it. Alex on the other hand, has never really done anything but make music so I wanted to ask him about living a life entirely devoted to creative pursuits, from inspiration through to the practical reality. We sat down with a bottle of wine (French of course) and this is the result…
 
Katie:
Can we talk first about inspiration and why the creative medium that you chose music?
 
Francophilippe:
Music was one of the ways I naturally expressed myself, even as a child. It was never just an individual piece of music, it was all part of a larger concept. It is kind of like the imagery of dreams, but in dreams you can’t make sense of it, it is somewhere between a dream and a narrative.
I used to draw a lot as well and again, they were all images transcribed from a bigger imaginative world in my head.  I could have used a different medium but I suppose I ultimately got the most out of music. Before I had even held an instrument I had whole songs in my head, there have always just been there. It has been happening forever. Only difference now is that I have the skill to translate it into music.
 
Katie:
Can you say something about the ‘work’ element in creative work, the boring laborious work of turning that intangible thing in your head into something tangible?
 
Francophilippe:
Have you heard of Georges Seurat, the French Impressionist? His work is a great example of the type of work involved in making electronic music. He would create something the size of a wall dot by dot, dots the size of pin pricks. That is similar to the process of making electronic music, it takes attention to detail. I would equate making indie music more to someone like Vincent Van Gogh, broad expressive brushstrokes but electronic music  is scientific, it requires a great deal of precision. A lot of the strain is in the process of close editing, you can’t have any slip ups, every millisecond counts.
The finished product never works out exactly as you want it. But the thing in your head isn’t real. It is just brain activity. You can’t imagine anything to the full extent of its being.  A lot of the best ideas come from the accidental note at the end that you slip up and play. Often things just start writing themselves. It is important not to try to be too in control, not to treat anything as a certain formula.
 
Katie:
I think a lot of your music is very cinematic, it often seems very evocative. I’m thinking of your Marseille album (which I know you never released but I loved because there was a real feeling of walking through a city) and the Stargazing EP which had that sense of the infinite space of the solar system…
 
Francophilippe:
The original concept for me is a mood or energy. To me certain moods evoke certain colours. Sound makes me visualise colour and that is part of what I’m trying to create.  Stargazing for instance that is deep blue - comets, sci-fi, blue lit cinematography.
 
Katie:
So it is almost like painting with sound?
 
Francophilippe:
Yeah, I suppose so. I like to make music to express many things, sleazy, dark, animalistic energies but also sometimes I will feel like making something melancholy, mellow or romantic. Either way it is all about atmosphere. I think it is the best way to evoke a response. Most people aren’t really listening, not on the level you do when you are producing something so the response is subliminal. They don’t know what it is that you have done to provoke that particular mood, to bring about that atmosphere in a room, but it is deliberate on your part.  I don’t know if it is the same thing with writing…
 
Katie:
I think it is, you are trying to create an imaginary world that a person is drawn into completely. Although you may use deliberate techniques in an attempt to create that you want the reader to experience it as a natural, effortless response.
 
Francophilippe:
Yep that must be right, for instance the novelist Murakami, the story is one thing but he creates an atmosphere as well, his books have a sense of stillness that is very atmospheric.
 
Katie :
A lot of your work is made available for free on the internet and you told me that the same day as your first single was released it was on internet piracy sites, how do you feel about that?
 
Francophilippe:
I was listening to Pete Townsend talking about John Peel’s philosophy on this and he said something along the lines that ‘A real musician would rather than people stole his product and enjoyed it than bought it and never listened to it.’
I was proud that my first single was all over the piracy sites as soon as it was released alongside some really good artists. I think it is good to give away music, I like to do it. You need to do it anyway, to get your name out there and your foot in the door.  I believe in the philosophy that when you are being creative you don’t do it for the money, you do it because you hope people will love it. In any case, who would have heard of me outside Newcastle, for that matter who would have heard of me in Newcastle without the internet? I work with labels and other producers all over the world, there is no way I would have those relationships without the internet.
 
Katie:
A bit like that Van Gogh quote ‘I believe more and more that to work for the sake of work is the principle of all great artists’?
 
Francophilippe:
Yeah, I hadn’t heard that quote, yes, exactly that.
Obviously money is important and this isn’t the ideal career in that sense but I think it is very difficult to really make money without compromising yourself.  If you do stuff on commission you are asked to change stuff, they ask you because you bring a certain sound but then they want to dilute it or add eight bars here, put a break in there, it isn’t yours anymore. It can turn something you have to put your name to into something you don’t like. I have withdrawn stuff on that basis. It is difficult to balance that with a desire to make some money.
There is a real lack of security involved with this work and it really depends on the individual and what you can take. If your future security is really important to you then you shouldn’t do it. If I had to take on real adult responsibilities maybe things would have been very different, but it is all or nothing for me. It is great if you can do both.
 
Katie:
I’m aware you spend most of your time in a dark basement on a lap top asleep when others are awake and awake whenever they are asleep. How do you feel about the isolation?
 
Francophilippe:
This again depends on the kind of person you are. I am very comfortable with isolation. When you are on your own you see and perceive things differently, you transcend the normal level. I can think what I want to think and feel what I want to feel.  I think generally that people want to be entertained too much, people want to see lights, flashing colours and 10 notifications on Facebook, they don’t want to take the time it takes to think. For me, if I’m doing something creative I need to be 100% in that place to do it. I will work on something for days without eating or sleeping much. That is not out of commitment or work ethic, I stick at it because I am in that zone and I don’t want to lose it. If you can’t embrace the isolation that comes with that it is going to be difficult.  
 
Katie:
So what are the rewards of it?
 
Francophilippe:
For me there has never really been any other option, it is just what I do. If you are confident enough in what you do, you keep doing it. I would say to anyone starting out don’t let it get you down if the stuff you create doesn’t get glowing attention. Things you put a lot of effort in can just fall flat. It is how it goes sometimes; you just have to keep going and challenging yourself to do better.
There is more than being paid to artistic success. You get to put something you made out into the world. You do it for the joy of creating it and when it is not just you that gets it, when others enjoy it, it is amazing to get that recognition. What’s better than reading on a twitter post written by someone you have never spoken to before who says ‘Francophilippe is a genius’ because they love something you have created. That is the best thing. Seriously, who wouldn’t want that? You don’t get that in a normal job.’
 
Please check out facebook.com/francofonk or soundcloud.com/dj-francophilippe for  upcoming releases, free downloads and  general Francophilippe information. ‘Only After Midnight’ is available from all good digital stores and Spotify ‘Algeronics - I’m Back (remix)’ is available from all good digital stores. ‘Fonkophile’ will be available mid-December exclusively (for free) from Champagne Records website.

--------------------------------------------------------------------------------

12/13/2011 12:28:34

Everything you are about to read is true

The text I have recovered here, these words I have found, recovered from the debris and reclaimed from the dead, were written and created by real people. I have refrained from interpretations, even where the text and images were difficult to decipher, damaged, or incomplete. The text on this site is as I found it, saved from collapsed buildings, buried homes, submerged vehicles, from all the fallen cities of the earth.
It has lain undisturbed for decades, maybe longer. Much of it can be traced back to the 21st Century, but I can’t be sure of the exact dates. Without civilisation, time has lost much of its meaning, but these pieces have not. If anything they have become more important. With so much having been lost, their significance has been magnified by their survival.
 
In my world, there is no creativity. Nothing new is produced. There are no artists left. Only survivors. Even the words have lost their meaning. Names have become detached from things.
 
But through these pages, these articles, letters, photographs, drawings, and interviews, the past lives on. They survived by chance, but perhaps I found them for a reason, to keep words and art alive, to keep the stories being told.
 
From these fragments, I have created a mosaic from the past, but more than that… 
 
It is a narrative for the future.
 
This is not the End…

--------------------------------------------------------------------------------

11/02/2011 16:53:27

Power intermittent…

Launch coming….

Prepare….

YOU ARE THE BLEED

--------------------------------------------------------------------------------

================================================================================